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On this edition of Sightings, a frightening entity leaves a bloody trail.

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Sally, stop it!

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On tape, it's a stunning paranormal event.

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She scares and living daylight, Tiffany.

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Then, from America's UFO hotspot, evidence of an extraterrestrial invasion.

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We've seen an extraordinary increase in large-scale contact events.

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And this man's gift is haunted by the faces of death.

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I bring life to death through my artistic abilities.

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Welcome to Sightings. I'm Tim White.

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A ghostly presence on videotape.

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It's the one piece of hard evidence that's eluded our ghost investigations.

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Until now.

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When sightings received a call from a beleaguered family in the Midwest,

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our team went to investigate.

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What they found was haunting activity unlike anything this sightings crew had ever seen.

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The result was hours of bizarre ghostly activity captured for the first time on videotape.

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It's happening here, somewhere in America's heartland.

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The family has asked that we not say exactly where they live.

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But it's a town like any other where people work, raise a family, and are laid to rest.

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There, however, the similarity ends.

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We were told at least one soul here is not at rest, and that her spirit is trapped inside this house.

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Spirit, ghost, entity. It has many names and many ways of making its presence known.

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The family here fears ridicule and persecution.

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They've asked us not to use their real names, so we'll refer to them as Pamela, Jeff, and their infant son, Donnie.

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The first signs of something out of the ordinary began when the young couple moved into this 128-year-old house in January of 1993.

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At first, the haunting activity was subtle and only seemed to be occurring in one small bedroom at the top of the stairs.

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Pamela and Jeff had a weird, indefinable feeling that something wasn't quite right.

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Their usually docile dog started feeling it too.

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She would whimper and cry anytime she came near that room.

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They now feel the persistent barking was a warning they did not heed.

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As these home videos show after the birth of their son, Donnie, the bedroom was converted into a nursery.

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It was here that an entity began to show itself.

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Pictures of newborn Donnie were marred by strange blocks of free-floating light and shadow.

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It happened on roll after roll of film and with two different cameras.

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Even more bizarre was the discovery, when this photo was enlarged, that the crayon on the tablet seems to be held in space by an invisible hand.

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We tried to recreate this photo with wires, pins, and other tricks. We could not.

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Through a friend, Pamela contacted psychic Barbara Conner, who believes she can communicate with entities from the past.

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I was thinking it was a little crowded.

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Yeah, she doesn't like it. She says, too many people are in here. Get out.

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Within a few minutes of her arrival, Barbara began to communicate with what she felt was the spirit of a child.

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She said the spirit was that of a little girl named Sally, and that she was there to protect the baby Donnie.

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Barbara believes that the blurs and streaks in dozens of family photographs are actually a physical manifestation of Sally.

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We wanted Edson Williams, a trick photography expert, to give us his opinion.

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The findings obtained the original negatives and photos, and with the family's approval, had them analyzed to determine if anything in the camera or in the film processing could account for the bizarre images.

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One photo that really caught my attention was the Christmas photos. The highlights that ran through the image, their localizer, not throughout the image, they're in very small regions, and they're running at different angles.

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Initially, I tried to recreate this simply with a few quick tricks, and unfortunately they did not work for me. It would be a very difficult shot to recreate.

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Another photograph I found very interesting was when I had a small child's toy in a corner with a blue ghosting image around it.

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Initially, I thought it possibly cut out a blue gel, which would be a blue plastic, clear plastic, and a wiggle that in front of the camera could recreate it.

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But the density differences were too varied.

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Photographic evidence is something I always question because my job is to create illusions photographically.

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But these several pictures that I was shown are very difficult to explain.

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The family believes this is evidence of Sally, the lost spirit of a long dead girl, and like a macabre version of Mother Goose, when Sally is good she's very, very good, and when she's bad she's horrid.

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According to Pamela and Jeff, this is Sally's handiwork. They say a swirling frigid aura announces her presence.

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Then Sally leaves welting bloody slashes on Jeff's bare flesh as documented in these photos and verified by many eyewitnesses.

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So far, Jeff has been the only victim.

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When our sightings crew arrived to investigate, the first step was to videotape interviews with Pamela and Jeff.

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These interviews were important, but the director had given strict orders to immediately turn the cameras on any strange activity as soon as it occurred.

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It was during this first interview session that the entity made its presence known.

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Jeff and Donnie watched from just behind the camera as Pamela was being interviewed first.

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We had gone over to my in-laws. We had come home. Shortly afterwards we found all the stuffed animals that were in different areas.

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As Pamela described a previous encounter with Sally, noise from a backyard chainsaw started to interfere with the videotaping.

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When those were closed the cats were downstairs with us. Just nothing natural could happen.

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As Pamela waited for the noise to stop, Jeff called out.

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Is it going?

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She don't like everybody here, did she?

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Sally, stop it!

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What? How did that happen?

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You don't know.

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Sally?

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Walk in there and get a towel and clean it off his arm.

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What's going on?

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I can't get my sense of it.

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She's right here because it is freezing right here.

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It is freezing.

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I feel it.

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All you do is you feel this cold go through you. That's how I just...

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Sally?

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Okay, Sally, we're going to stop until Barbara comes here, okay?

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When Barbara comes, she'll talk to you and let you know.

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Right here? I can feel it.

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We're interviewing. It's hot.

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We've turned the air conditioner off for sound purposes, but it is cold right here in this part of the room.

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And the air conditioner is off.

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I just felt...

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Look at that.

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Cold just like freezing me over here.

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This is the same thing that occurs when she's scratched his face.

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Holy...

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He's had scratches across his forehead, down his arm.

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She does this when she's upset.

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I'm still shaking.

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I know, my heart's pounding too.

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I'm a little excited.

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I got a joint.

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We've had a little excitement this morning.

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Oh, really? Already?

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The family asked psychic Barbara Conner to join our investigation.

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They felt Barbara could communicate with Sally and help calm her down.

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Feeling good?

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What's this?

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That's what she just did.

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She just did this?

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Yeah.

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I feel her now.

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Yeah, she's here.

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Hi, Sally!

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What's going on?

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Excitement.

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She's excited.

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It's really cold.

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Okay, okay, it's okay.

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Yeah, it's...

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She's excited about all this.

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Is she liking it or is she upset?

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She's upset.

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She's a little upset.

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Um...

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What's going on here?

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She says I like it, but it's scary.

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Yeah, well, honey, it's scary for us too.

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Yeah, that's what I told her.

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That's what I told her.

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I said, no, it's everybody's uptight with this.

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She scares the living daylights out of me, to be honest with you.

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I'm gonna add this right now.

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She's right here with me right now.

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I'm feeling something...

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really cold shoot around my stomach.

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Um...

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We asked Jeff to describe what he was feeling.

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He looked like he was in pain,

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but Jeff didn't respond.

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For a moment, he couldn't speak.

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I've lost my breath. I'm sorry.

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Today in the chair, as you guys were interviewing my wife,

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I sat in the rocking chair with my son.

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He was playing with little toys,

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and we were tilted a little forward

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so we could watch the interview through the doorway.

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When it's cold, just shot through my arm,

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and it's done it before.

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I knew the feeling.

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It's just... I can't explain the cold.

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It freezes your bones, everything.

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And as I looked towards my arm,

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I had four scratches that were bleeding as I looked at them.

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And it's really frightening.

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Yeah.

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She's...

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just went right through my midsection.

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I don't...

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Oh, my God. Look. Look.

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Look.

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I...

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Oh, look, they're forming.

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Can't come up with an explanation why she does this.

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It's forming right there.

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She tends to do this to me because I upset her sometimes.

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I...

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And she wants to be noticed, I think, today.

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This family has asked to remain anonymous.

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What's happening inside their house is so bizarre,

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they don't want to become just another media event.

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When we return, our investigation continues.

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Coming up next on Sightings.

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And this is, like, the most profound thing I've ever seen

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in all parapsychology.

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This is fact, and you have it on tape.

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In the years we've been doing this program,

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our ghost investigations have been time-consuming

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and often frustrating.

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But the current case in the Midwest is clearly different.

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From day one, the crew was experiencing

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unexplainable haunting phenomena,

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and they were getting it on tape.

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It's a sensation like the air conditioning on your automobile

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if you're driving on a car.

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It's a sensation like the air conditioning on your automobile

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if you're driving on a car.

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The air conditioning on your automobile,

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if you put your hand up right in front of the vent,

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you feel the air blowing.

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Real fresh, but if you move your hand away from the vent,

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it goes away.

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That thing's messing with you.

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Our sightings director is Greg Cook.

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He was excited about the presence of strange cold spots

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that would come and go without warning or reason.

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It is so cold right here.

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This is an electrical charge we're talking about.

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Did you feel it?

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Yeah, it's like a mile away from shock.

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Electrical shock.

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Right there.

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Oh, my God.

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Can you feel it?

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Electrical shock.

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Right here.

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That is unbelievable.

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Paranormal investigator Howard Haim

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brought in instruments that could measure

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the cold and magnetic energy

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everyone in the house was feeling.

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Howard Haim has documented

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over 100 reported hauntings throughout the world.

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Strangely enough, as soon as he arrived,

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our video camera began to malfunction.

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There was break up,

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usually a sign that there's been some kind of

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electrical interference.

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Can you feel this? Come here.

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No, I cannot.

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As soon as you came over, it went this way.

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You can feel it?

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Well, let's take a few minutes.

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It's a point 7 degrees Fahrenheit in here.

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It's dropped a point.

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It did instantly drop a point.

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From point 7 to point 6.

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Just dropped another point.

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It's dropping again.

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Point 4.

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Dropped again. It's point 3 now.

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And I graduated.

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It dropped a point again. It's now point 2.

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It keeps getting cooler in this room.

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It's like a narrow shaft of cool air.

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Yeah, it is.

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My hand is... I can feel it coming down,

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but his hand is on top of mine.

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And if you put yours underneath, you should be able to feel it as well.

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Yeah. Actually feel it slightly cooler.

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Feel that? Yeah.

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Actually feel like a small circumference

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about 4 inches in diameter coming straight down.

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And our hands are blocking the airflow.

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That was interesting.

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It was almost like a narrow thing hitting the back of my hand.

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The instruments picked up both an increase

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in electromagnetism

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and a measurable decrease in room temperature.

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But no instrument could explain

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what happened just a few minutes later in the kitchen.

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Pamela was showing Barbara a teddy bear

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that had been inexplicably burned.

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Later in the same spot,

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Sally seemed to be telling Pamela

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she was the fire starter.

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My husband found this

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kind of half fresh, half dead flower

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singed around the edges.

252
00:14:13,500 --> 00:14:15,500
Is it possible

253
00:14:15,500 --> 00:14:17,500
that Sally burned the rose

254
00:14:17,500 --> 00:14:19,500
in reaction to Pamela's discussion

255
00:14:19,500 --> 00:14:21,500
about the teddy bear?

256
00:14:21,500 --> 00:14:23,500
We went back to that

257
00:14:23,500 --> 00:14:25,500
earlier moment on our raw field tapes.

258
00:14:25,500 --> 00:14:27,500
The rose was there on the windowsill.

259
00:14:27,500 --> 00:14:29,500
But at this point,

260
00:14:29,500 --> 00:14:31,500
it appeared fully red

261
00:14:31,500 --> 00:14:33,500
with undamaged petals.

262
00:14:33,500 --> 00:14:35,500
Who could have burned that rose

263
00:14:35,500 --> 00:14:37,500
without anyone seeing it or smelling it

264
00:14:37,500 --> 00:14:39,500
in the space of less than 5 minutes?

265
00:14:41,500 --> 00:14:43,500
It was incredible.

266
00:14:43,500 --> 00:14:45,500
The interior leaves are burnt around the edges.

267
00:14:45,500 --> 00:14:47,500
What...

268
00:14:47,500 --> 00:14:49,500
What damage to the overlapping leaves?

269
00:14:51,500 --> 00:14:53,500
As if they were individually burned

270
00:14:53,500 --> 00:14:55,500
and then assembled.

271
00:14:55,500 --> 00:14:57,500
That is bizarre.

272
00:14:57,500 --> 00:14:59,500
You can't...

273
00:14:59,500 --> 00:15:01,500
You can't duplicate this.

274
00:15:01,500 --> 00:15:03,500
This cannot be duplicated.

275
00:15:11,500 --> 00:15:13,500
Well, let's go see.

276
00:15:13,500 --> 00:15:15,500
Show me where she lives.

277
00:15:15,500 --> 00:15:17,500
There used to be this cradle,

278
00:15:17,500 --> 00:15:19,500
but we've put it in here

279
00:15:19,500 --> 00:15:21,500
as like a gathering for her toys.

280
00:15:21,500 --> 00:15:23,500
Things that she's allowed to play with

281
00:15:23,500 --> 00:15:25,500
and not get into trouble for.

282
00:15:27,500 --> 00:15:29,500
In the bedroom that had been the source

283
00:15:29,500 --> 00:15:31,500
of so much haunting activity,

284
00:15:31,500 --> 00:15:33,500
electromagnetic field readings were normal

285
00:15:33,500 --> 00:15:35,500
at first.

286
00:15:35,500 --> 00:15:37,500
Then Pamela felt that Sally had arrived.

287
00:15:37,500 --> 00:15:39,500
Oh, man.

288
00:15:39,500 --> 00:15:41,500
Right here.

289
00:15:41,500 --> 00:15:43,500
The magnetometer needle jumped.

290
00:15:43,500 --> 00:15:45,500
We're 2 1 half.

291
00:15:45,500 --> 00:15:47,500
Now we're at 3.

292
00:15:47,500 --> 00:15:49,500
I can actually feel it between my fingers.

293
00:15:49,500 --> 00:15:51,500
It's very light, but it is noticeable.

294
00:15:55,500 --> 00:15:57,500
During our investigation,

295
00:15:57,500 --> 00:15:59,500
everyone who entered the house

296
00:15:59,500 --> 00:16:01,500
felt an eerie, ghostly presence,

297
00:16:01,500 --> 00:16:03,500
but only Jeff claims to have actually seen

298
00:16:03,500 --> 00:16:05,500
a manifestation of Sally.

299
00:16:05,500 --> 00:16:07,500
I walked over to the kitchen cabinet,

300
00:16:07,500 --> 00:16:09,500
opened the cabinet and got out of glass,

301
00:16:09,500 --> 00:16:11,500
poured my orange juice.

302
00:16:11,500 --> 00:16:13,500
I started to take a drink,

303
00:16:13,500 --> 00:16:15,500
and as I turned around,

304
00:16:15,500 --> 00:16:17,500
there was a little girl standing

305
00:16:17,500 --> 00:16:19,500
not more than 3 foot away from me,

306
00:16:19,500 --> 00:16:21,500
just as plain as you are to me now.

307
00:16:21,500 --> 00:16:23,500
Just standing there

308
00:16:23,500 --> 00:16:25,500
with this plain look on her face,

309
00:16:25,500 --> 00:16:27,500
just looking at me like she was curious

310
00:16:27,500 --> 00:16:29,500
about me too.

311
00:16:29,500 --> 00:16:31,500
And it, oh, I can't explain

312
00:16:31,500 --> 00:16:33,500
the feeling I got.

313
00:16:33,500 --> 00:16:35,500
I dropped the glass, the glass shattered,

314
00:16:35,500 --> 00:16:37,500
and as I dropped the glass,

315
00:16:37,500 --> 00:16:39,500
she was gone just as quick

316
00:16:39,500 --> 00:16:41,500
as she was there. It was just gone.

317
00:16:47,500 --> 00:16:49,500
Sally never materialized

318
00:16:49,500 --> 00:16:51,500
for our low-light intensity viewing equipment,

319
00:16:51,500 --> 00:16:53,500
but our normal video camera

320
00:16:53,500 --> 00:16:55,500
did pick up perhaps the most stunning

321
00:16:55,500 --> 00:16:57,500
paranormal event ever recorded on tape.

322
00:16:59,500 --> 00:17:01,500
It came without warning,

323
00:17:01,500 --> 00:17:03,500
as our cameras were in the process

324
00:17:03,500 --> 00:17:05,500
of recording one final scene.

325
00:17:05,500 --> 00:17:07,500
Sally,

326
00:17:07,500 --> 00:17:09,500
can you see through it?

327
00:17:09,500 --> 00:17:11,500
Does it look? Yeah.

328
00:17:11,500 --> 00:17:13,500
There you go up.

329
00:17:13,500 --> 00:17:15,500
Very slowly, yeah.

330
00:17:15,500 --> 00:17:17,500
Same jig.

331
00:17:17,500 --> 00:17:19,500
Look, one's starting to bleed.

332
00:17:19,500 --> 00:17:21,500
There's a whole new...

333
00:17:21,500 --> 00:17:23,500
Oh, look at that. Look at that.

334
00:17:23,500 --> 00:17:25,500
Oh, look at that. Oh, my God.

335
00:17:25,500 --> 00:17:27,500
It actually just...

336
00:17:27,500 --> 00:17:29,500
It's this nice dark one where it's bleeding.

337
00:17:29,500 --> 00:17:31,500
Look at that.

338
00:17:31,500 --> 00:17:33,500
Look at that.

339
00:17:33,500 --> 00:17:35,500
Look at it.

340
00:17:35,500 --> 00:17:37,500
We trained our cameras on Jeff's torso

341
00:17:37,500 --> 00:17:39,500
for nine minutes,

342
00:17:39,500 --> 00:17:41,500
the entire duration of the Bazaar event.

343
00:17:41,500 --> 00:17:43,500
What first appeared as scratches

344
00:17:43,500 --> 00:17:45,500
eventually grew into long, thick,

345
00:17:45,500 --> 00:17:47,500
bleeding welds.

346
00:17:47,500 --> 00:17:49,500
No one had a logical explanation.

347
00:17:51,500 --> 00:17:53,500
It just simply appeared.

348
00:17:53,500 --> 00:17:55,500
You lifted your shirt, the same scratches were there.

349
00:17:57,500 --> 00:17:59,500
You put this to your stomach,

350
00:17:59,500 --> 00:18:01,500
and all of a sudden blood started to ooze out.

351
00:18:01,500 --> 00:18:03,500
And this is like the most profound thing

352
00:18:03,500 --> 00:18:05,500
I've ever seen in all

353
00:18:05,500 --> 00:18:07,500
parapsychology.

354
00:18:07,500 --> 00:18:09,500
I've seen and felt a few things myself,

355
00:18:09,500 --> 00:18:11,500
but it could be suggestion.

356
00:18:11,500 --> 00:18:13,500
But this is not suggestion at all.

357
00:18:13,500 --> 00:18:15,500
This is fact.

358
00:18:15,500 --> 00:18:17,500
And you have it on tape.

359
00:18:17,500 --> 00:18:19,500
When our crew returned from the Midwest,

360
00:18:19,500 --> 00:18:21,500
the excitement in the sightings offices was palpable.

361
00:18:21,500 --> 00:18:23,500
Our videotape has become

362
00:18:23,500 --> 00:18:25,500
the object of intense interest

363
00:18:25,500 --> 00:18:27,500
for paranormal investigators,

364
00:18:27,500 --> 00:18:29,500
like Kerry Gaynor.

365
00:18:29,500 --> 00:18:31,500
We asked him to view the tape,

366
00:18:31,500 --> 00:18:33,500
making careful examination inside by side

367
00:18:33,500 --> 00:18:35,500
views of the before and after frames

368
00:18:35,500 --> 00:18:37,500
taken while this bleeding scratch

369
00:18:37,500 --> 00:18:39,500
welted up before our camera.

370
00:18:39,500 --> 00:18:41,500
When we return,

371
00:18:41,500 --> 00:18:43,500
I'll be joined by field director Greg Cook

372
00:18:43,500 --> 00:18:45,500
and world-renowned parapsychologist

373
00:18:45,500 --> 00:18:47,500
Kerry Gaynor as we continue

374
00:18:47,500 --> 00:18:49,500
this remarkable investigation.

375
00:18:51,500 --> 00:18:53,500
Coming up next, historic contact with an entity,

376
00:18:53,500 --> 00:18:55,500
and later, from America's UFO hot spot,

377
00:18:55,500 --> 00:18:57,500
unprecedented daylight sightings

378
00:18:57,500 --> 00:18:59,500
captured on tape.

379
00:19:01,500 --> 00:19:03,500
Joining me now is

380
00:19:03,500 --> 00:19:05,500
sightings director Greg Cook.

381
00:19:05,500 --> 00:19:07,500
Greg supervised the crew on-site during our investigation.

382
00:19:07,500 --> 00:19:09,500
Greg, you've earned your stripes in the news business

383
00:19:09,500 --> 00:19:11,500
for a long time. You've worked for 60 minutes

384
00:19:11,500 --> 00:19:13,500
and elsewhere. Has anything like this ever happened before?

385
00:19:13,500 --> 00:19:15,500
Never, Tim.

386
00:19:15,500 --> 00:19:17,500
The frightening thing was that it happened

387
00:19:17,500 --> 00:19:19,500
early in the day, at 10 o'clock in the morning

388
00:19:19,500 --> 00:19:21,500
with all of the movie lights on

389
00:19:21,500 --> 00:19:23,500
and all the people through the house.

390
00:19:23,500 --> 00:19:25,500
It wasn't like what you would presume

391
00:19:25,500 --> 00:19:27,500
you see when you see a ghost.

392
00:19:27,500 --> 00:19:29,500
It didn't happen late at night under candlelight

393
00:19:29,500 --> 00:19:31,500
and that sort of thing. It was in the confusion

394
00:19:31,500 --> 00:19:33,500
of the crew arriving

395
00:19:33,500 --> 00:19:35,500
in daylight hours, and everybody felt it.

396
00:19:35,500 --> 00:19:37,500
That was the frightening thing.

397
00:19:37,500 --> 00:19:39,500
You actually felt this thing happen.

398
00:19:39,500 --> 00:19:41,500
Everybody in the crew did.

399
00:19:41,500 --> 00:19:43,500
We saw the rose

400
00:19:43,500 --> 00:19:45,500
and we saw the marks on the man's body.

401
00:19:45,500 --> 00:19:47,500
There was another incident

402
00:19:47,500 --> 00:19:49,500
that you didn't have. I felt the bib.

403
00:19:49,500 --> 00:19:51,500
There was a shot that I thought might be interesting

404
00:19:51,500 --> 00:19:53,500
if she were to walk in carrying the baby,

405
00:19:53,500 --> 00:19:55,500
and the baby at the time was sitting in the high chair.

406
00:19:55,500 --> 00:19:57,500
So I said, let's just, you know,

407
00:19:57,500 --> 00:19:59,500
let's walk in and we'll begin.

408
00:19:59,500 --> 00:20:01,500
She took off the baby's bib,

409
00:20:01,500 --> 00:20:03,500
took 10 steps to the left

410
00:20:03,500 --> 00:20:05,500
and walked back in again and went to put the bib on it

411
00:20:05,500 --> 00:20:07,500
would not attach. The plastic cap

412
00:20:07,500 --> 00:20:09,500
beneath the bib

413
00:20:09,500 --> 00:20:11,500
had burned in the 20 seconds

414
00:20:11,500 --> 00:20:13,500
it took for her to walk away from the bib.

415
00:20:13,500 --> 00:20:15,500
I immediately smelled it and could smell

416
00:20:15,500 --> 00:20:17,500
a sense of charcoal and burning,

417
00:20:17,500 --> 00:20:19,500
but the plastic had melted, but there was no fire damage

418
00:20:19,500 --> 00:20:21,500
to the top or bottom of that piece of plastic.

419
00:20:21,500 --> 00:20:23,500
And that occurred right while we were there.

420
00:20:23,500 --> 00:20:25,500
It was sort of a frightening moment.

421
00:20:25,500 --> 00:20:27,500
That did occur at night, and I felt a little uneasy

422
00:20:27,500 --> 00:20:29,500
about staying there.

423
00:20:29,500 --> 00:20:31,500
You're a skeptical guy.

424
00:20:31,500 --> 00:20:33,500
Couldn't all of this have been faked somehow?

425
00:20:33,500 --> 00:20:35,500
No. If we'd gone there and perhaps what you saw

426
00:20:35,500 --> 00:20:37,500
was cutting and bleeding, you might question

427
00:20:37,500 --> 00:20:39,500
how did that happen? The fact was that everybody

428
00:20:39,500 --> 00:20:41,500
who came, film members,

429
00:20:41,500 --> 00:20:43,500
other friends of theirs,

430
00:20:43,500 --> 00:20:45,500
neighbors who had been there for the time of the taping,

431
00:20:45,500 --> 00:20:47,500
everybody in the room felt the same sensation of cold.

432
00:20:47,500 --> 00:20:49,500
I think there's a lot of interpretation there,

433
00:20:49,500 --> 00:20:51,500
but I do know that what I felt

434
00:20:51,500 --> 00:20:53,500
and what everybody else in our crew felt

435
00:20:53,500 --> 00:20:55,500
was a definite electrical energy.

436
00:20:55,500 --> 00:20:57,500
It moved around the room.

437
00:20:57,500 --> 00:20:59,500
You could follow it around the room.

438
00:20:59,500 --> 00:21:01,500
It wasn't something that we just kind of said,

439
00:21:01,500 --> 00:21:03,500
well, we thought it was there. It was there.

440
00:21:03,500 --> 00:21:05,500
Well, Greg, since you filed this report,

441
00:21:05,500 --> 00:21:07,500
Sightings has contacted Parasycologist

442
00:21:07,500 --> 00:21:09,500
Kerry Gaynor and asked for his insight.

443
00:21:09,500 --> 00:21:11,500
Mr. Gaynor is best known for his investigations

444
00:21:11,500 --> 00:21:13,500
of the now famous Anthony and Poltergeist cases.

445
00:21:13,500 --> 00:21:15,500
Mr. Gaynor, you've had a chance

446
00:21:15,500 --> 00:21:17,500
to look at our field videotapes.

447
00:21:17,500 --> 00:21:19,500
What do you think?

448
00:21:19,500 --> 00:21:21,500
Well, I think it's a good idea

449
00:21:21,500 --> 00:21:23,500
to look at the evidence. What do you think?

450
00:21:23,500 --> 00:21:25,500
Well, I think it's very exciting.

451
00:21:25,500 --> 00:21:27,500
The nice thing for me as a researcher

452
00:21:27,500 --> 00:21:29,500
is that the cameraman held the camera

453
00:21:29,500 --> 00:21:31,500
on the blood spot from the moment it started

454
00:21:31,500 --> 00:21:33,500
to the moment the welds appeared.

455
00:21:33,500 --> 00:21:35,500
He never cut away, so we have about eight or nine minutes

456
00:21:35,500 --> 00:21:37,500
of raw footage which I have examined,

457
00:21:37,500 --> 00:21:39,500
and it's very interesting. It's very exciting.

458
00:21:39,500 --> 00:21:41,500
I spent a great deal of time trying to determine

459
00:21:41,500 --> 00:21:43,500
which cases are worth investigating and which are not,

460
00:21:43,500 --> 00:21:45,500
and I think this one is.

461
00:21:45,500 --> 00:21:47,500
What are some of the more common signs

462
00:21:47,500 --> 00:21:49,500
of haunting, things that show up here

463
00:21:49,500 --> 00:21:51,500
as well as other cases you've looked into?

464
00:21:51,500 --> 00:21:53,500
Well, one of the things I was intrigued by

465
00:21:53,500 --> 00:21:55,500
were the bears that were found

466
00:21:55,500 --> 00:21:57,500
in the middle of the room, and they went out of the room

467
00:21:57,500 --> 00:21:59,500
and they put the bears back. They came back

468
00:21:59,500 --> 00:22:01,500
and one bear was found in the middle of the room.

469
00:22:01,500 --> 00:22:03,500
Like Poltergeist? That's right.

470
00:22:03,500 --> 00:22:05,500
This suggests a very playful kind of experience,

471
00:22:05,500 --> 00:22:07,500
and we come across this a lot.

472
00:22:07,500 --> 00:22:09,500
People take their clothes out. They get up the next morning.

473
00:22:09,500 --> 00:22:12,500
They're back in the drawer again. Just playful type phenomena.

474
00:22:12,500 --> 00:22:15,500
You think this family is at threat, in danger?

475
00:22:15,500 --> 00:22:17,500
Well, I think there are different types of things going on in this house.

476
00:22:17,500 --> 00:22:20,500
I wouldn't want to think... I wouldn't think there's one explanation.

477
00:22:20,500 --> 00:22:22,500
The bears appearing in the middle of the room

478
00:22:22,500 --> 00:22:25,500
is a playful type Poltergeist experience,

479
00:22:25,500 --> 00:22:28,500
but the scratches on the man's stomach and his arm,

480
00:22:28,500 --> 00:22:31,500
and according to his testimony, he was yanked out of his bed.

481
00:22:31,500 --> 00:22:33,500
Those are pretty terrifying experiences,

482
00:22:33,500 --> 00:22:35,500
and yes, I'm a little concerned about that.

483
00:22:35,500 --> 00:22:37,500
We'll continue to look into it.

484
00:22:37,500 --> 00:22:39,500
Parapsychologist Kerry Gaynor, thanks for joining us.

485
00:22:39,500 --> 00:22:40,500
Thank you.

486
00:22:40,500 --> 00:22:42,500
And I will be going back to the room

487
00:22:42,500 --> 00:22:44,500
along with Greg Cook and our entire investigative team

488
00:22:44,500 --> 00:22:47,500
to see what more we can learn about the Heartland Ghost.

489
00:22:47,500 --> 00:22:50,500
We'll bring you our findings as soon as possible.

490
00:22:50,500 --> 00:22:52,500
When sightings continues...

491
00:22:52,500 --> 00:22:56,500
At all costs, preserve the social order.

492
00:22:56,500 --> 00:22:58,500
That has always been the stakes.

493
00:22:58,500 --> 00:23:00,500
Those are war stakes, okay?

494
00:23:00,500 --> 00:23:02,500
Then, sculpting the faces of death,

495
00:23:02,500 --> 00:23:05,500
and later, is this the porthole to a parallel universe?

496
00:23:13,500 --> 00:23:17,500
90% of all reported UFOs are seen after dark.

497
00:23:17,500 --> 00:23:22,500
Far rarer and virtually undocumented are daytime sightings.

498
00:23:22,500 --> 00:23:25,500
But now, a rash of daylight UFO sightings

499
00:23:25,500 --> 00:23:27,500
is being meticulously documented

500
00:23:27,500 --> 00:23:30,500
in one of the world's most famous UFO hotspots,

501
00:23:30,500 --> 00:23:32,500
Gulf Breeze, Florida.

502
00:23:35,500 --> 00:23:37,500
Since at least 1947,

503
00:23:37,500 --> 00:23:41,500
elements of our government have been absolutely aware.

504
00:23:42,500 --> 00:23:46,500
That we have non-human, highly advanced intelligence

505
00:23:46,500 --> 00:23:48,500
visiting this planet.

506
00:23:48,500 --> 00:23:51,500
If the secret is impossible to keep,

507
00:23:51,500 --> 00:23:57,500
then we must find a way to adjust to this extraordinary oddity.

508
00:23:57,500 --> 00:24:03,500
Bottom line is, at all costs, preserve the social order.

509
00:24:03,500 --> 00:24:05,500
That has always been the stakes.

510
00:24:05,500 --> 00:24:07,500
And of course, those are very high stakes.

511
00:24:07,500 --> 00:24:10,500
Those are war stakes, okay?

512
00:24:10,500 --> 00:24:12,500
We're looking at a war here.

513
00:24:12,500 --> 00:24:14,500
They won't go away.

514
00:24:14,500 --> 00:24:16,500
The latest Gulf Breeze sightings

515
00:24:16,500 --> 00:24:19,500
are adding an ominous new layer to the UFO story.

516
00:24:19,500 --> 00:24:22,500
Sightings has obtained exclusive photographs

517
00:24:22,500 --> 00:24:26,500
and videotapes of mysterious craft flying in broad daylight.

518
00:24:26,500 --> 00:24:28,500
This new evidence is among the most significant

519
00:24:28,500 --> 00:24:30,500
UFO footage ever recorded.

520
00:24:30,500 --> 00:24:33,500
The photo and video evidence that we've recently seen

521
00:24:33,500 --> 00:24:35,500
from Gulf Breeze is far more important

522
00:24:35,500 --> 00:24:39,500
than all the previous UFO photo and video evidence combined.

523
00:24:39,500 --> 00:24:43,500
It used to be just another resort town in southern Florida,

524
00:24:43,500 --> 00:24:46,500
but Gulf Breeze has changed.

525
00:24:46,500 --> 00:24:48,500
Vacationing families drawn to the area's

526
00:24:48,500 --> 00:24:51,500
tropical waters and white sand beaches

527
00:24:51,500 --> 00:24:53,500
aren't the only visitors in the area.

528
00:24:53,500 --> 00:24:56,500
For nearly a decade, the name Gulf Breeze

529
00:24:56,500 --> 00:24:59,500
has become synonymous with UFOs.

530
00:24:59,500 --> 00:25:02,500
It's been going on almost continuously since 1987.

531
00:25:02,500 --> 00:25:05,500
It is not a flash in the pan situation.

532
00:25:05,500 --> 00:25:07,500
The clusters of sightings over Gulf Breeze

533
00:25:07,500 --> 00:25:09,500
are taking on a new look.

534
00:25:09,500 --> 00:25:12,500
Rare daylight events have UFO researchers

535
00:25:12,500 --> 00:25:14,500
scrambling for an explanation.

536
00:25:14,500 --> 00:25:18,500
We now are going through a series, it seems,

537
00:25:18,500 --> 00:25:21,500
of daylight sightings, and the nighttime sightings

538
00:25:21,500 --> 00:25:25,500
have almost completely diminished.

539
00:25:25,500 --> 00:25:30,500
90% of all reported or recorded UFO sightings occur at night.

540
00:25:30,500 --> 00:25:33,500
Only 10% are seen during daytime hours

541
00:25:33,500 --> 00:25:35,500
and are rarely captured on tape or film.

542
00:25:35,500 --> 00:25:38,500
Along with the increase in daylight sightings

543
00:25:38,500 --> 00:25:41,500
has been an increase in the number of eye-witness reports.

544
00:25:41,500 --> 00:25:43,500
The people in the community who have said

545
00:25:43,500 --> 00:25:47,500
that they've seen UFOs are people like doctors and lawyers

546
00:25:47,500 --> 00:25:49,500
and real-state people.

547
00:25:49,500 --> 00:25:51,500
It's just not a bunch of lunatics

548
00:25:51,500 --> 00:25:53,500
running around saying that they saw lights in the sky.

549
00:25:53,500 --> 00:25:56,500
It's just very different.

550
00:25:56,500 --> 00:25:58,500
This is not a movie.

551
00:25:58,500 --> 00:26:01,500
It is actual footage of a UFO

552
00:26:01,500 --> 00:26:04,500
seen over Gulf Breeze in broad daylight.

553
00:26:04,500 --> 00:26:08,500
The daylight sightings that we've had of the last year

554
00:26:08,500 --> 00:26:11,500
have all been authenticated.

555
00:26:11,500 --> 00:26:18,500
The photographs, the videos, the witnesses have all proved positive.

556
00:26:18,500 --> 00:26:21,500
Here in Gulf Breeze, there are so many sightings

557
00:26:21,500 --> 00:26:23,500
and there's so much going on.

558
00:26:23,500 --> 00:26:27,500
Either you have to go on with your life

559
00:26:27,500 --> 00:26:29,500
or you let it just drive you crazy.

560
00:26:29,500 --> 00:26:32,500
And so I've just chose to go on with my life.

561
00:26:32,500 --> 00:26:34,500
On November 28, 1993,

562
00:26:34,500 --> 00:26:37,500
Ed Walters, a successful local contractor,

563
00:26:37,500 --> 00:26:40,500
saw bright flashes of light in the afternoon sky.

564
00:26:40,500 --> 00:26:44,500
He grabbed his home video camera and drove toward the lights.

565
00:26:44,500 --> 00:26:49,500
I actually drove down to the public beach,

566
00:26:49,500 --> 00:26:55,500
got out of my truck and calmly walked out onto the beach,

567
00:26:55,500 --> 00:27:00,500
hoping that I might see these bright flashes once again.

568
00:27:00,500 --> 00:27:04,500
Walking along here towards the west.

569
00:27:04,500 --> 00:27:07,500
I continued to scan around, look around.

570
00:27:07,500 --> 00:27:11,500
Handing around here, 360.

571
00:27:11,500 --> 00:27:13,500
There's the sand dunes, that's the north.

572
00:27:13,500 --> 00:27:17,500
Oh, jeez, goodness gracious.

573
00:27:17,500 --> 00:27:19,500
Over those dunes, right there.

574
00:27:19,500 --> 00:27:22,500
It appeared and flew in from the north,

575
00:27:22,500 --> 00:27:25,500
hovered out over the beach, over the shoreline.

576
00:27:25,500 --> 00:27:29,500
And I dashed over to the towards the sand dunes

577
00:27:29,500 --> 00:27:33,500
and dropped my knees and started filming it.

578
00:27:33,500 --> 00:27:36,500
This is what Ed Walters captured on videotape.

579
00:27:36,500 --> 00:27:39,500
The shaded, disc-shaped object appears to hover overhead,

580
00:27:39,500 --> 00:27:41,500
then abruptly disappears.

581
00:27:41,500 --> 00:27:43,500
There she is, right there.

582
00:27:43,500 --> 00:27:46,500
Oh my God, just hovering right there.

583
00:27:46,500 --> 00:27:50,500
Oh, oh, oh, oh, oh, oh, Jesus, when you know it.

584
00:27:50,500 --> 00:27:54,500
Jeff Seigneau is a video analyst with MUFON.

585
00:27:54,500 --> 00:27:56,500
The Mutual UFO Network.

586
00:27:56,500 --> 00:27:59,500
Recognized worldwide as an expert in his field,

587
00:27:59,500 --> 00:28:02,500
Seigneau believes Walters' tape is authentic.

588
00:28:02,500 --> 00:28:04,500
Notice particularly when he sees the object,

589
00:28:04,500 --> 00:28:08,500
how the oscilloscope shows that the camera was indeed bounced around.

590
00:28:08,500 --> 00:28:10,500
It's gracious.

591
00:28:10,500 --> 00:28:12,500
You'll see a lot of video disturbance there,

592
00:28:12,500 --> 00:28:16,500
which is typical of a raw video of a camera that's been bounced around

593
00:28:16,500 --> 00:28:20,500
that eliminates editing as a possibility for creating this thing.

594
00:28:20,500 --> 00:28:22,500
There she is, right there.

595
00:28:23,500 --> 00:28:27,500
Ed Walters is no stranger to UFO documentation.

596
00:28:27,500 --> 00:28:31,500
He snapped the first Gulf Breeze UFO photograph in 1987.

597
00:28:31,500 --> 00:28:35,500
He also took this picture, which he believes is a near miss

598
00:28:35,500 --> 00:28:38,500
between a UFO and a fighter jet.

599
00:28:38,500 --> 00:28:41,500
And the jet had, was continuing on

600
00:28:41,500 --> 00:28:49,500
and passed right, looked to me like it was headed right at the UFO.

601
00:28:49,500 --> 00:28:52,500
Ed Walters has come under fire from skeptics

602
00:28:52,500 --> 00:28:55,500
who do not believe that one man could have seen and documented

603
00:28:55,500 --> 00:28:58,500
so many significant UFO events.

604
00:28:58,500 --> 00:29:04,500
But Walters is not bothered by charges that he has a sophisticated hoaxer.

605
00:29:04,500 --> 00:29:08,500
There are some people who just absolutely will not consider the evidence.

606
00:29:08,500 --> 00:29:12,500
They will, they will kill the messenger.

607
00:29:12,500 --> 00:29:18,500
Judge me if you will, but the fact is I've videotaped and saw a UFO.

608
00:29:18,500 --> 00:29:21,500
With enough time, money, luck and skill, anything can be faked.

609
00:29:21,500 --> 00:29:25,500
But unless Ed Walters has Steven Spielberg as a brother-in-law

610
00:29:25,500 --> 00:29:28,500
to fake this video, two different types of photographs

611
00:29:28,500 --> 00:29:31,500
would be extremely difficult for an ordinary man to fake.

612
00:29:31,500 --> 00:29:35,500
Walters isn't the only one to document a daytime sighting.

613
00:29:35,500 --> 00:29:39,500
This footage was shot by a Gulf Breeze resident who chooses to remain anonymous.

614
00:29:39,500 --> 00:29:43,500
He gave the tape and his story to local reporter Bland Pugh.

615
00:29:43,500 --> 00:29:47,500
The UFO, as he observed it, came out of the southeast.

616
00:29:47,500 --> 00:29:53,500
It moved over his head in incredibly fast speed and disappeared out to the northwest.

617
00:29:53,500 --> 00:29:59,500
This particular sighting in itself was a landmark sighting

618
00:29:59,500 --> 00:30:05,500
in that it actually showed the UFO disappearing or leaving as it were.

619
00:30:05,500 --> 00:30:08,500
See coming in here, it's very indistinct.

620
00:30:08,500 --> 00:30:10,500
The viewers be moving relatively slowly.

621
00:30:10,500 --> 00:30:14,500
So here's a slowdown of the same video, object hovering their motionless

622
00:30:14,500 --> 00:30:19,500
and the zips off instantaneously and barely make it out as it zips off to the right.

623
00:30:19,500 --> 00:30:22,500
The object was about three miles away on the left side,

624
00:30:22,500 --> 00:30:25,500
got up to about two miles away on the right side,

625
00:30:25,500 --> 00:30:28,500
was doing about 4,000 miles an hour.

626
00:30:28,500 --> 00:30:33,500
Still, another documented sighting comes from an eyewitness known only as Philip.

627
00:30:33,500 --> 00:30:36,500
The flight pattern is similar to that on the other videotapes,

628
00:30:36,500 --> 00:30:38,500
and so is the shape of the craft.

629
00:30:38,500 --> 00:30:40,500
The various videos corroborate each other.

630
00:30:40,500 --> 00:30:43,500
They corroborate previous witness testimony,

631
00:30:43,500 --> 00:30:47,500
and so the pieces of the puzzle all fit together.

632
00:30:47,500 --> 00:30:53,500
Military bases in the area may have information about what is flying above southern Florida,

633
00:30:53,500 --> 00:30:59,500
but every attempt to obtain comment from the military is not only denied, it is ignored.

634
00:30:59,500 --> 00:31:02,500
It could be that the military is tied into this.

635
00:31:02,500 --> 00:31:06,500
I'm not accusing, nor am I saying they are covering up.

636
00:31:06,500 --> 00:31:10,500
I'm not saying that they have, they've just kept their mouth shut.

637
00:31:10,500 --> 00:31:15,500
I do believe there is a growing pattern of contact,

638
00:31:15,500 --> 00:31:20,500
which suggests that we are getting closer to actually meeting the neighbors.

639
00:31:20,500 --> 00:31:22,500
Golf breeze is part of that pattern.

640
00:31:26,500 --> 00:31:30,500
We will be back with more sightings in just a moment.

641
00:31:30,500 --> 00:31:32,500
Next on Sightings.

642
00:31:32,500 --> 00:31:35,500
The recomposer of the decomposed.

643
00:31:35,500 --> 00:31:38,500
It's not a bad title. He does recompose people.

644
00:31:38,500 --> 00:31:40,500
It comes right from my soul.

645
00:31:44,500 --> 00:31:48,500
Forensic scientists go to great lengths to try and identify the skeletal remains

646
00:31:48,500 --> 00:31:51,500
of anonymous victims in our nation's morgues.

647
00:31:51,500 --> 00:31:54,500
One technique involves taking an unidentified skull

648
00:31:54,500 --> 00:31:57,500
and building a face on top of it with clay.

649
00:31:57,500 --> 00:32:01,500
The clay is applied according to scientific measurements based on anatomy,

650
00:32:01,500 --> 00:32:07,500
but one of the most successful forensic sculptors doesn't rely on science alone.

651
00:32:08,500 --> 00:32:10,500
Nobody should be dead without a name.

652
00:32:10,500 --> 00:32:17,500
I mean, that to me is a disgrace to a society that does nothing about

653
00:32:17,500 --> 00:32:20,500
getting these people identified.

654
00:32:21,500 --> 00:32:26,500
These are the Faces of Death, brought to life by sculptor Frank Bender.

655
00:32:26,500 --> 00:32:30,500
I bring life to death through my artistic abilities.

656
00:32:30,500 --> 00:32:35,500
The artist takes anonymous numbered remains and gives them a human face,

657
00:32:35,500 --> 00:32:38,500
but Bender says he does more than recreate flesh.

658
00:32:38,500 --> 00:32:43,500
He tries to capture their souls so they can reach out to a long lost loved one.

659
00:32:44,500 --> 00:32:48,500
It was almost like a spiritual thing when you look at her.

660
00:32:48,500 --> 00:32:52,500
I mean, the face just appeared.

661
00:32:52,500 --> 00:32:55,500
He starts with a nameless, faceless skull.

662
00:32:55,500 --> 00:32:58,500
In his mind's eye, a picture starts to form.

663
00:32:58,500 --> 00:33:04,500
Using an artist's intuition, a detective's hunch, and some say a psychic gift,

664
00:33:04,500 --> 00:33:07,500
Bender creates a person out of clay and paint.

665
00:33:10,500 --> 00:33:16,500
He calls himself the recomposer of the decomposed, and that's not a bad title, really.

666
00:33:16,500 --> 00:33:18,500
He does recompose people.

667
00:33:18,500 --> 00:33:23,500
Frank Bender has given sightings a rare opportunity to observe him at work in his studio.

668
00:33:23,500 --> 00:33:27,500
He's trying to help police identify the killer of a five-year-old boy

669
00:33:27,500 --> 00:33:30,500
found dead near a vacant lot in Philadelphia.

670
00:33:30,500 --> 00:33:34,500
The key to this investigation is actually finding out who the child is,

671
00:33:34,500 --> 00:33:36,500
and this is where Frank comes in.

672
00:33:37,500 --> 00:33:42,500
Frank Bender's bizarre forensic career began in a morgue in 1976.

673
00:33:42,500 --> 00:33:45,500
He was a struggling artist looking to study anatomy.

674
00:33:45,500 --> 00:33:52,500
In a moment that changed his life forever, Bender was strangely drawn to one badly decomposed Jane Doe.

675
00:33:52,500 --> 00:33:57,500
We really didn't have any idea what she looked like, and we didn't have a very good clue into who she really was.

676
00:33:57,500 --> 00:34:02,500
I had said to the technician, well, I know what she looks like.

677
00:34:02,500 --> 00:34:09,500
With instinct and intuition as his only guides, Bender attempted to discover the woman from just her bare bones.

678
00:34:09,500 --> 00:34:12,500
It comes right from my soul, right from my heart.

679
00:34:12,500 --> 00:34:19,500
It's not to me just an identification thing, not just eyes, nose, and mouth, but a personality.

680
00:34:19,500 --> 00:34:22,500
His bust was photographed and circulated.

681
00:34:22,500 --> 00:34:25,500
Within six months, the victim was identified.

682
00:34:25,500 --> 00:34:29,500
There are forensic sculptors working for police departments around the country,

683
00:34:29,500 --> 00:34:33,500
but their extensive knowledge of anatomy and the mechanics of physiology

684
00:34:33,500 --> 00:34:39,500
lacked what Bender brings to the same work, a real sense of who the person was.

685
00:34:39,500 --> 00:34:42,500
It was a bittersweet success.

686
00:34:42,500 --> 00:34:45,500
Bender was haunted by the faces of his victims.

687
00:34:45,500 --> 00:34:48,500
His own personal art began to change.

688
00:34:48,500 --> 00:34:50,500
He calls it his nightmare art.

689
00:34:51,500 --> 00:34:56,500
It's actually more of a torturous process doing this art.

690
00:34:56,500 --> 00:35:02,500
It's like the garbage coming out of the experiences of working with these forensic cases.

691
00:35:04,500 --> 00:35:09,500
After Bender's initial success, skeptical officials in Philadelphia started to set up and take notice.

692
00:35:09,500 --> 00:35:14,500
His success rate in identifying victims eventually reached 85%.

693
00:35:14,500 --> 00:35:17,500
Interpol and the FBI asked for his help.

694
00:35:17,500 --> 00:35:25,500
In one case, he was asked to age John List, a man who had killed his entire family and had been on the run for 23 years.

695
00:35:25,500 --> 00:35:31,500
In a sense, I sort of become the fugitive, feeling what he felt

696
00:35:31,500 --> 00:35:37,500
and trying to imagine what it would be like living this lifestyle that he lived.

697
00:35:37,500 --> 00:35:44,500
Bender's bust of an aging John List was broadcast nationwide. List was captured 11 days later.

698
00:35:44,500 --> 00:35:50,500
Bender believes that finding the soul within his subjects is the key to his unprecedented success.

699
00:35:50,500 --> 00:35:55,500
And in 1990, one soul called out to him more clearly than the rest.

700
00:35:55,500 --> 00:36:00,500
Rosella Atkinson had disappeared without a trace. No one found her for three years.

701
00:36:00,500 --> 00:36:07,500
It's like you're living on the edge wondering, you know, where is she or if something happened to her.

702
00:36:07,500 --> 00:36:14,500
Once you find out something happened to her, you're walking around and you're still looking like you don't believe it.

703
00:36:15,500 --> 00:36:20,500
At the same time, Bender was transforming the unidentified skull of a teenage murder victim.

704
00:36:20,500 --> 00:36:27,500
I feel that I could feel some of the feelings that were going through her during her life.

705
00:36:27,500 --> 00:36:35,500
When I was working on her, I actually felt trapped in a sense, I guess, like looked up myself and said,

706
00:36:35,500 --> 00:36:38,500
she's got a like, want a better life than this.

707
00:36:39,500 --> 00:36:45,500
Bender felt a hopefulness within the 18 year old and instinctively sculpted her face pointing upwards.

708
00:36:45,500 --> 00:36:49,500
This was the face Rosella's mother saw at a museum exhibit.

709
00:36:49,500 --> 00:37:00,500
We went in there and we looked and we looked and it became, I don't know, her face all of a sudden I just seen her in it.

710
00:37:00,500 --> 00:37:02,500
And I realized it was her.

711
00:37:02,500 --> 00:37:09,500
The pose Frank Bender chose was remarkably similar to the pose Rosella struck in her last family portrait.

712
00:37:09,500 --> 00:37:12,500
This was how Rosella's mother learned she'd been murdered.

713
00:37:12,500 --> 00:37:17,500
I had a picture of almost the same pose he gave her.

714
00:37:17,500 --> 00:37:20,500
It would have to be something spiritual to do that.

715
00:37:20,500 --> 00:37:24,500
I mean, people can't just come up with something like that.

716
00:37:24,500 --> 00:37:28,500
You got to be gifted. I mean, spiritually gifted.

717
00:37:28,500 --> 00:37:31,500
Thank you so much.

718
00:37:31,500 --> 00:37:33,500
Thank you so much.

719
00:37:33,500 --> 00:37:35,500
Continue doing your work.

720
00:37:35,500 --> 00:37:37,500
I felt really good.

721
00:37:37,500 --> 00:37:40,500
I felt like my work had served the purpose.

722
00:37:40,500 --> 00:37:44,500
She now had a name and could be buried with dignity.

723
00:37:44,500 --> 00:37:51,500
She's at peace and now we can pick up the pieces and go forward.

724
00:37:51,500 --> 00:37:58,500
Bender has the same hopes for the remains of a young child whose decomposing corpse was found near a vacant lot.

725
00:37:58,500 --> 00:38:04,500
He worked night and day for a week trying to connect with the emotions and personality of the five year old victim.

726
00:38:04,500 --> 00:38:07,500
This may be the best way of finding the child's killer.

727
00:38:07,500 --> 00:38:13,500
As soon as the bust was completed, Philadelphia police put a photograph of it out on the street.

728
00:38:13,500 --> 00:38:19,500
This here puts a face to our victim. It makes a person out of them rather than just a pile of bones.

729
00:38:19,500 --> 00:38:24,500
We need to identify the child before we can find out who killed him.

730
00:38:24,500 --> 00:38:31,500
Look at this boy's face. Look how warm, tender, loving he was.

731
00:38:31,500 --> 00:38:35,500
And how many adults would love to have a child like this.

732
00:38:35,500 --> 00:38:40,500
Right now, this is all he is, the number.

733
00:38:43,500 --> 00:38:50,500
While Frank Bender waits for someone to come forward, he returns to the disturbing world of his nightmare art.

734
00:38:50,500 --> 00:38:57,500
It's an outlet for the pain and anguish he feels he must absorb in order to put a human face on death.

735
00:39:00,500 --> 00:39:05,500
The last time the Philadelphia morgue had an unidentified child was in the 1950s.

736
00:39:05,500 --> 00:39:12,500
Frank Bender's sculpture is just one of the extraordinary measures authorities have taken to try to put a name to this young murder victim.

737
00:39:12,500 --> 00:39:19,500
If you have any information about this little boy, believed to be five years old at the time of his death in 1994,

738
00:39:19,500 --> 00:39:23,500
please call the Homicide Division of the Philadelphia Police Department.

739
00:39:23,500 --> 00:39:27,500
Police are also seeking the killer of Rosella Atkinson.

740
00:39:27,500 --> 00:39:31,500
If you have any information, the Philadelphia police want to hear from you.

741
00:39:31,500 --> 00:39:39,500
When sightings returns, a black hole represents the most extreme possible warping of space and time.

742
00:39:39,500 --> 00:39:42,500
Is this a portal to a parallel universe?

743
00:39:42,500 --> 00:39:53,500
If asked about the possibility of alien visitation on this planet, skeptics might argue that logistically it's just impossible.

744
00:39:53,500 --> 00:40:01,500
The universe is so vast that even if life did exist in a distant galaxy, it would take billions of years for them to reach us.

745
00:40:01,500 --> 00:40:06,500
Ufologists, on the other hand, maintain that there must be a cosmic shortcut.

746
00:40:06,500 --> 00:40:10,500
And some suggest that shortcut is through a black hole.

747
00:40:11,500 --> 00:40:16,500
A black hole actually may be the entrance to a tunnel from one universe to another.

748
00:40:16,500 --> 00:40:22,500
What they call wormholes, warming through or wriggling your way through from one universe to another.

749
00:40:22,500 --> 00:40:27,500
So it's possible that if we ever do learn how to control and use black holes,

750
00:40:27,500 --> 00:40:34,500
it might be possible for us to move into other universes or into other space-time realms that we can't even imagine today.

751
00:40:34,500 --> 00:40:43,500
The concept of a cosmic gateway, what scientists today call black holes, was first suggested by Einstein as part of his theory of relativity.

752
00:40:43,500 --> 00:40:49,500
He basically said that gravity is the curving of space and time. It's a very hard concept to grasp, very esoteric,

753
00:40:49,500 --> 00:40:53,500
but a very fundamental one because it launched modern cosmology, the discovery,

754
00:40:53,500 --> 00:40:59,500
the study of the evolution of the universe and how bodies interact gravitationally.

755
00:40:59,500 --> 00:41:03,500
Until the Hubble telescope, black holes were just a theory on paper.

756
00:41:03,500 --> 00:41:08,500
Now, many scientists agree that these pictures prove their existence.

757
00:41:08,500 --> 00:41:12,500
But how can these bright images be called black holes?

758
00:41:12,500 --> 00:41:21,500
Black holes tend to accumulate matter around them. They suck matter off a companion star or other material that's in their neighborhood.

759
00:41:21,500 --> 00:41:25,500
And this stuff is kind of going around in a whirlpool before it falls down into the hole.

760
00:41:25,500 --> 00:41:34,500
And the material gets accelerated so to such a high velocity that it gives off radiation that we can see x-rays and gamma rays,

761
00:41:34,500 --> 00:41:36,500
or sometimes even visible radiation.

762
00:41:36,500 --> 00:41:39,500
Where do black holes come from?

763
00:41:39,500 --> 00:41:46,500
A general theory suggests that a collapsing star can become so compressed it virtually punches a hole in the universe.

764
00:41:46,500 --> 00:41:52,500
If this is true, then not only is matter compressed, but so is time.

765
00:41:52,500 --> 00:41:58,500
A black hole represents the most extreme possible warping of space and time.

766
00:41:58,500 --> 00:42:04,500
So the measurement or the observation of time inside and outside the hole are radically different.

767
00:42:04,500 --> 00:42:09,500
A person falling into the hole would experience maybe 10 minutes going by,

768
00:42:09,500 --> 00:42:17,500
while somebody on the outside would see thousands of years or in effect an eternity go by while watching the other person fall in.

769
00:42:17,500 --> 00:42:21,500
Any spacecraft entering a black hole today would be ripped apart atom by atom.

770
00:42:21,500 --> 00:42:27,500
But if we can find a way in, it may open the door to time travel or even a parallel galaxy.

771
00:42:27,500 --> 00:42:34,500
We may be starting to see ways of traveling in time or in space that are impossible now.

772
00:42:34,500 --> 00:42:40,500
A black hole really tests the limits of our current understanding about the nature of space and time in the cosmos.

773
00:42:42,500 --> 00:42:48,500
The black hole captured by the Hubble telescope is in a distant galaxy called M87.

774
00:42:48,500 --> 00:42:51,500
M87 is 50 million light years from Earth.

775
00:42:51,500 --> 00:42:58,500
Traveling there in one of our spacecraft would be the equivalent of simply circling the globe 392 billion times.

776
00:43:01,500 --> 00:43:06,500
If you've had a paranormal experience, call the sightings hotline at 1-900-933-SITE.

777
00:43:06,500 --> 00:43:09,500
That's 1-900-933-7444.

778
00:43:09,500 --> 00:43:13,500
Each call 65 cents a minute, average call last three minutes.

779
00:43:13,500 --> 00:43:18,500
Sightings is also online. Our email addresses sightings at aol.com.

780
00:43:20,500 --> 00:43:24,500
Next week on Sightings, Tim White encounters the Heartland Ghost.

781
00:43:24,500 --> 00:43:27,500
Oh man, that's weird.

782
00:43:27,500 --> 00:43:30,500
Oh, well, now that's very interesting.

783
00:43:30,500 --> 00:43:31,500
I'd be okay if I sit down.

784
00:43:31,500 --> 00:43:39,500
Then these women share a terrifying memory of alien abduction and schoolmates save from certain death by life-saving angels.

785
00:43:39,500 --> 00:43:44,500
Absolutely no way that we could have made it through that without some kind of help.

786
00:43:45,500 --> 00:43:50,500
Until next time, remember, no mystery is closed to an open mind.

787
00:43:50,500 --> 00:43:53,500
For Sightings, I'm Tim White.

788
00:43:56,500 --> 00:43:59,500
Next on Sci-Fi Dark Shadows.

789
00:44:03,500 --> 00:44:07,500
Tonight on the next episode of Sci-Fi's Varscape.

790
00:44:09,500 --> 00:44:12,500
I think Stark's mask might have shot us sometime into the past.

791
00:44:12,500 --> 00:44:15,500
If we change anything here, the future might not happen, I guess I meant to.

792
00:44:15,500 --> 00:44:19,500
The road is bloodthirsty and almost impossible to control.

793
00:44:24,500 --> 00:44:26,500
Okay, let's get my bra out of here.

794
00:44:27,500 --> 00:44:34,500
The epic continues. Sci-Fi's Varscape. Tonight at 8 only on Sci-Fi.

795
00:44:39,500 --> 00:44:43,500
Sci-Fi Dark Shadows